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I actually was reading something today that pointed out how Cousins could only get one year in Atlanta. Don't remember the exact specifics, but think only about half of the guaranteed money going to Kirk in this deal was from a signing bonus, a lot of it is just guaranteed salary in years 2 and 3. Which is the key in determining how big of a dead cap hit the team would have to take if they move on from him after 1 year in a trade. They'd have to take a decent dead cap hit if they trade him next offseason, but with Penix on a rookie deal, it's easier for them to take that hit. They can't cut him though, as cutting him would then put them on the hook for the guaranteed salary and give them a massive dead cap hit. He also has a no trade clause, so they'd have to get him to agree to it as well, but knowing this now, I wouldn't be surprised if they look to trade him after the season to someone like the Raiders or something. -
By The NFL Shield At Midfield · Posted
https://www.nytimes.com/2024/05/08/arts/music/steve-albini-dead.html He was highly controversial, politically incorrect, and a self-described asshole early in his career before mellowing out, but he's an absolute icon of music engineering/production (although he disliked the label of "producer"). He recorded Nirvana's In Utero, Surfer Rosa by the Pixies, and countless other artists including The Breeders, Jimmy Page and Robert Plant, Helmet, The Stooges, and so on. He famously refused to take residuals on albums he recorded, passing up what would have been millions of dollars because he considered the practice unethical. His own bands Big Black and Shellac were also influential in their own right. His later efforts focused on running his studio in Chicago, Electrical Audio, which catered to both independent and major label bands and artists until his death.
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